Heaven Knows, It’s Got to Be This Time: New Order’s ‘Ceremony’

This is a graphic of New Order's 'Ceremony' - lyrics by New Order, graphic by Tagxedo, and lyrics courtesy of AZ Lyrics
This is a graph­ic of New Order’s ‘Cer­e­mo­ny’ — lyrics by New Order, graph­ic by Tagxe­do, and lyrics cour­tesy of AZ Lyrics

 

Cer­e­mo­ny” is tech­ni­cal­ly a song by the band Joy Divi­sion, an Eng­lish post-punk band formed in 1976. It was one of the last songs the band ever com­posed, when Ian Cur­tis was still a mem­ber. Cur­tis com­mit­ted sui­cide only 16 days after the band wrote the song, and the remain­ing mem­bers of the band renamed and rebrand­ed the band as New Order, and released “Cer­e­mo­ny” as an offi­cial single.

Bernard Sum­n­er, one of the mem­bers of Joy Division/New Order said about “Cer­e­mo­ny”:

We actu­al­ly wrote “Cer­e­mo­ny” in Joy Divi­sion. It was a hor­ri­ble time because Ian [Cur­tis] had just tried to com­mit sui­cide and failed. He was in a hos­pi­tal and came out of the hos­pi­tal. And we had a riot at a gig because Ian couldn’t han­dle it. So Ian kept going back to hos­pi­tals so we wrote two songs—“Ceremony” and “In a Lone­ly Place” to try to cheer him up. But I don’t think the songs cheered any­one up. But we just thought we’d write a bril­liant track and get his mind off it, to get his mind on music. Unfor­tu­nate­ly it didn’t work.”

The song acts as a lit­er­al bridge between the two bands, accord­ing to the web­site, the A.V. Club.

The record­ing his­to­ry of “Ceremony”—from the sketchy stu­dio rehearsals, to the live takes, to fledg­ling exper­i­ments after Cur­tis’ death, to the mul­ti­ple offi­cial singles—positions New Order as a band build­ing on Joy Division’s lega­cy, but with a sep­a­rate and alter­nate­ly influ­en­tial style all its own.” — Kevin McFar­land, The A.V. Club

The song’s his­to­ry gives it an espe­cial­ly haunt­ing beau­ty, even in its sad­ness. As the music blog, Don’t For­get the Songs 365 writes, “It’s more than a song. It’s an emo­tion­al­ly hon­est trib­ute…” Paul Mor­ley, an Eng­lish music jour­nal­ist, even called it “the best song of all time.”

 

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