This American Life,” Some Laundry and the Federal Reserve

It’s not often that I’m able to lis­ten to any­thing that’s an hour long, espe­cial­ly if it’s a news-ori­ent­ed pod­cast. Usu­al­ly I can only bear a cou­ple of episodes of a TV show or a good movie or doc­u­men­tary, but NPR’s “This Amer­i­can Life” has become a rare excep­tion.  Lis­ten­ing to episodes like “The Secret Record­ings of Car­men Segar­ra” only leave me want­i­ng more, as well as with a deep appre­ci­a­tion for well-pro­duced audio content.

Host­ed by Ira Glass, “This Amer­i­can Life” has been a sta­ple in my fam­i­ly for years. My dad lis­tens to it all the time, and I devel­oped my habit after lis­ten­ing to the show with him on count­less car rides and road trips. That’s why I went to it imme­di­ate­ly for this assignment.

segarra
Fed­er­al Reserve whistle­blow­er Car­men Segar­ra, who was fired by the Fed after repeat­ed clash­es with her supe­ri­ors. (AP Photo/Adam Lerner)

One of the perks of a good pod­cast is that, unlike a good TV show or film, you can do oth­er things while you’re lis­ten­ing. Per­son­al­ly, I can’t idly lis­ten to a pod­cast like “This Amer­i­can Life.” I need to be on my feet doing some­thing pro­duc­tive. The way I lis­tened to this par­tic­u­lar episode was no dif­fer­ent. With Ira Glass’ famil­iar speech imped­i­ment flow­ing out of my lap­top speak­ers, I bus­ied myself fold­ing laun­dry and clean­ing my apart­ment, killing two birds with one stone.

The Hook

To be frank, not all episodes of “This Amer­i­can Life” are over­ly engag­ing, and on sev­er­al occa­sions I’ve found myself tun­ing out the pod­cast or shut­ting it off all togeth­er. But “The Secret Record­ings of Car­men Segar­ra” was a par­tic­u­lar­ly intrigu­ing episode, which delved into impor­tant but shady top­ics like the Fed­er­al Reserve and the treat­ment of a bank exam­in­er-turned-black sheep – Segar­ra – who dared to speak up about the way the Fed did busi­ness.

The most inter­est­ing and engag­ing aspect of the episode was the use of Segar­ra’s record­ings, which she made with­out the knowl­edge of her supe­ri­ors and co-work­ers via a small record­ing device, which she flicked on dur­ing impor­tant meet­ings or inter­ac­tions with her boss­es. They gave the episode an air of exclu­siv­i­ty, and they made me feel like I was lis­ten­ing to top-secret, priv­i­leged information.

Adding to the pod­cast’s intrigue was the ongo­ing inter­view between Segar­ra and ProP­ub­li­ca’s Jake Bern­stein, who asked pru­dent ques­tions while mak­ing not-so-sim­ple sub­ject mat­ter easy to digest, which is far from an easy task.

The Production

As far as pro­duc­tion val­ue was con­cerned, I knew pri­or to lis­ten­ing that any­thing with “This Amer­i­can Life” stamped on it is going to be well-pro­duced by top-notch peo­ple, and I was­n’t dis­ap­point­ed. The length – just over 60 min­utes – was on par with oth­er episodes of the show, and giv­en its top­ic’s impor­tance and rel­e­vance, I did­n’t mind stay­ing with it from start to finish.

Radio producer Ira Glass poses with his award at the 72nd Annual George Foster Peabody Awards at the Waldorf-Astoria on Monday, May 20, 2013 in New York. (AP Photo/Evan Agostini)
Radio pro­duc­er Ira Glass pos­es with his award at the 72nd Annu­al George Fos­ter Peabody Awards at the Wal­dorf-Asto­ria on Mon­day, May 20, 2013 in New York. (AP Photo/Evan Agostini)

Anoth­er perk of doing oth­er things while lis­ten­ing to a pod­cast is that you lose track of how long it’s been since you start­ed lis­ten­ing, and you can just set­tle into the story.

Short musi­cal inter­ludes and brief injec­tions from Glass did a nice job of break­ing up the sto­ry, as did Berstein’s sum­ma­riza­tions and expla­na­tions of what he and Segar­ra had cov­ered and where the sto­ry was going.

Final­ly, the episode’s page on the “This Amer­i­can Life” web­site had sev­er­al use­ful fea­tures. The pod­cast had been divid­ed up into “Pro­logue,” “Act One” and “Act Two” clips, which made it easy to go back and lis­ten to a spe­cif­ic part of the sto­ry if you need­ed more clar­i­fi­ca­tion. The page also includ­ed the stan­dard social media share but­tons, as well as a help­ful 100-word syn­op­sis of each “act.”

The Bottom Line

I’m a big fan of pod­casts and mul­ti­me­dia sto­ry­telling. Pod­casts espe­cial­ly offer a great deal of cre­ative oppor­tu­ni­ty, and the abil­i­ty to show­case emo­tions and the human voice, both of which are very pow­er­ful tools. As a jour­nal­ist, I am excit­ed about the oppor­tu­ni­ties for sto­ry­telling out­side of my cur­rent­ly print-cen­tric experience.

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