Copyright — Can A Price Tag Be Placed On Intellectual Property?

Los Angeles street artist Shepard Fairey signs his Barack Obama Hope artwork in the Echo Park area of Los Angeles on Monday, Jan. 12, 2009. Fairey is the designer of the famous Obama campaign poster and also the Obey-Andre the Giant poster of a few years back. (AP Photo/Damian Dovarganes)
Los Ange­les street artist Shep­ard Fairey signs his Barack Oba­ma Hope art­work in the Echo Park area of Los Ange­les on Mon­day, Jan. 12, 2009. Fairey is the design­er of the famous Oba­ma cam­paign poster and also the Obey-Andre the Giant poster of a few years back. (AP Photo/Damian Dovarganes)

One of the biggest and most influ­en­tial quotes I picked up from watch­ing Steal This Film II was from Mark Get­ty, the CEO of Get­ty Images — which was, “Intel­lec­tu­al prop­er­ty is the oil of the 21st century.”

We now live in a world where the con­tin­u­ous shar­ing of ideas, infor­ma­tion, and art through tech­no­log­i­cal means is the basis of how the world stays con­nect­ed. How­ev­er, a major hin­der­ance when it comes to tak­ing hold of “intel­lec­tu­al prop­er­ty” has come to be copy­right control.

The sur­vival of jour­nal­ists in this infor­ma­tion cli­mate is going to be an uphill bat­tle. Yes, aggre­gat­ing oth­er news sources is an act of copy­ing. How­ev­er, at the same time is still is an act of shar­ing — just as the need to lis­ten and talk is an act of shar­ing by imi­tat­ing each oth­er. Jour­nal­ists always need to be aware of their sources and how they go about cit­ing what’s theirs and what isn’t, which is of course rule of thumb.

As for news orga­ni­za­tions and aspir­ing jour­nal­ists break­ing into the field, they both must reach an under­stand­ing that the Inter­net is every­body’s biggest com­peti­tor. Why? Because it is the most decen­tral­ized news source out there — and it is necessary.

In this day and age, peo­ple should only be pay­ing for tan­gi­ble things — not ideas or infor­ma­tion in which you can nev­er real­ly touch or pos­sess. It’s a free-for-all net­work of free flow­ing ideas and infor­ma­tion that is good for soci­ety, because it elim­i­nates the poten­tial for unjust gate­keep­ing by putting a price tag on things you want or want to know.

A per­fect exam­ple would be the Fairey vs. AP case, where an indi­vid­ual sim­ply want­ed to take what was in cyber space and cre­ate some­thing of his own. AP cracked down on what Fairey had done to the Oba­ma “Hope” pho­to, claim­ing he had not sought out prop­er per­mis­sion when alter­ing it to the extent he had and went on to sue him.

The same sit­u­a­tion can be applied to the film, where aspir­ing music pro­duc­ers will­ing­ly post their instrumentals/beats online for free down­load. They encour­age oth­ers to use what they’ve cre­at­ed and make it their own, because they feel the Inter­net’s decen­tral­iza­tion was meant for this sole pur­pose of shar­ing ideas with zero boundaries.

This is why I feel AP took legal action too far, because nobody should be able to tell you what you can and can­not do with what you find on the Inter­net, regard­less of what­ev­er copy­rights there may be. What makes the Inter­net so amaz­ing is the poten­tial for mil­lions of authors is endless.

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