Directing Virtual Plays during a Pandemic

By Madi­son Smith
 Feb­ru­ary 2021 

Hall Memo­r­i­al School Logo. / Will­ing­ton Pub­lic Schools

WILLINGTON- The­ater Direc­tor and music teacher Jason Phillips told the Board of Edu­ca­tion on Tues­day about how the dra­ma club has been able to per­form dur­ing the pandemic. 

“The biggest chal­lenge in the script was how peo­ple move on the stage and dif­fer­ent set­tings and stuff. So, the chal­lenge was how do you how do you get the peo­ple to move while they are on a Zoom screen,” he said. “The solu­tion we used was adapt­ing some of the move­ment by look­ing and reach­ing through screens.” 

What they end­ed up doing was get­ting a phone that looked sim­i­lar and in rehearsal, one per­son hand­ed the phone to the left so the next per­son would go to the left and grab the phone to make it seem like they were in the same room. Anoth­er trick that they did was to dark­en the back­ground to make it seem like the actors were in the woods at nighttime.

Since there is cur­rent­ly a pan­dem­ic going on,  the stu­dents are hav­ing to do their per­for­mances over Zoom so they are miss­ing the audi­ence inter­ac­tion that they would have gotten. 

“The hard­est part is the audi­ence response,” Phillips said. “Nor­mal­ly when you would act you have the audi­ence laugh or clap for you and the dif­fi­cul­ty goes both ways. And the dif­fi­cul­ty for the kids who are per­form­ing is that they are not get­ting the ener­gy from their par­ents and vice ver­sa for the audi­ence — they don’t get to inter­act with the kids as much. So what I have done to alle­vi­ate that issue is doing these watch parties.” 

Dur­ing these watch par­ties the stu­dents would act out their scenes in front of their par­ents and Phillips and they would give applause or laugh at the scene that was going on. This helped the stu­dents feel as if they were per­form­ing their show in front of a live audi­ence as they would have got­ten had there not been a pandemic.

To help the stu­dents effec­tive­ly do a scene togeth­er even though they are not in the same room, “the answer is rehearsals, to rehearse and to talk about it. A lot of char­ac­ters, the kids in past shows have done have each played two char­ac­ters, and they try to find a way to dif­fer­en­ti­ate between the two,” said Phillips. 

Some stu­dents have got­ten cre­ative with dif­fer­ent back­grounds, cos­tumes, and even accents to help the audi­ence real­ize that the same actor or actress is play­ing two dif­fer­ent char­ac­ters. With the two dif­fer­ent char­ac­ters, they can have a back­sto­ry to help the stu­dents come up with the way that they are going to por­tray each of their char­ac­ters. The pan­dem­ic has made dif­fer­ences between shows that Phillips has done in the past and with the new struc­ture that they are hav­ing to per­form their plays in.

The dif­fer­ence between the vir­tu­al shows and the live shows in the past is that they do not charge for see­ing the play. The par­ents and the fam­i­ly of the actors also do not have to wor­ry about dri­ving out to the school to go see the per­for­mance they can just go to the Zoom link that the par­ents can find in the dig­i­tal back­pack, which is a way to send out impor­tant infor­ma­tion and events to the par­ents, and from there the par­ents can send the link to oth­er fam­i­ly mem­bers so they can all watch the per­for­mance on the day of the performance. 

Upcom­ing events include a mono­logue work­shop in mid-March and a per­for­mance of “She Kills Mon­sters” in May.

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